The Sydney Design Festival 2011 came to a close over the weekend and the general feeling is that it has been a really successful two weeks. The festival has brought together many in the design community of interest, showcased local creative talent and also hosted a number of discussions around the state of design in Australia now and for the future. I’ve attended a few of events and short synopses of my key take-aways from them are below (and don’t forget the previous post on the film NOW and WHEN on ‘Speculative scenarios for Australia’s urban future.’)
Australian Design for the Next Decade
Thursday 4 August 5:45pm, UTS Architecture Kensington Street
Speakers: Greg More (OOM Creative), Susan Dimasi (MATERIALBYPRODUCT ), Dave Pigram (supermanoeuvre ) and glass artist Richard Whiteley . Facilitated by Anthony Burke, Head of School of Architecture, UTS.
On a balmy (yes in the middle of winter) night at the UTS Architecture warehouse, four Australian designers discussed their practices and the transformation of their practices over time. The panel session saw an architect who’s now a data visualiser, a glass sculptor who now solves sustainability issues and a fashion designer who initially rejected the fashion industry but now runs her own fashion house where design thinking is applied across the business. Susan Dimasi (MATERIALBYPRODUCT) used an interesting analogy for how she sometimes feels as a designer saying it is like ‘a dog on a chain’- sometimes close to the source (the core of the discipline) but at other times pulling away (stretching the limits). I thought this was quite a neat way to convey how the practices of designers are continually transforming. It reminds me of John Heskett’s description of the history and evolution of design of which he says can be seen as a process of layering “in which new developments are added over time to what already exists. This layer, moreover, is not just a process of accumulation or aggregation, but a dynamic interaction in which each new innovative stage changes the role, significance, and function of what survives.” (Heskett, 2002)
Organised by the Australian Design Alliance (AdA) this event looked at how design was making a practical difference around the world from New York City to regional UK to right here in Australia in our urban to rural communities. Of particular interest was the organisation Health Habitat that has been working with communities to improve living environments and consequently community health. Health Habitat’s work has grown since 1985 to become a national Australian program which has also been scaled and used in New Zealand, the USA and Nepal.
On a much cooler winter evening, my old design school UTS was host to four designers discussing unconventional data visualisation practices that ranged from the poetic (see ‘Map of Sydney’ below) to the more prosaic. Conversations swirled with ideas such as seeing the data as material and data visualisation as exploratory, engaging and transforming. These thought provoking and intimate talks finished off with a tour of the Incidental Data exhibition making for a very pleasant and enjoyable evening.
‘Map of Sydney: Avian Surnames’ by Kate Sweetapple
Image from ‘visual writing: experiments with word & image’
What is the Object of Australia?
Friday 12 August 9:00am, Billy Blue College of Design
Speakers: Hannah Cutts (Cutts Creative), Lauren Tan, Kimberley Crofts (Meld Studios), Patrick Clair (Hungry Beast), Ruben Ocampo (Second Road) and Chris Maclean (Interbrand)
Friday’s all-day symposium heard from a wide array of designers discussing service design, user experience, social design, innovation systems, visual communication, design as a business, making motion graphics and branding. The day ended with a panel session of 7 Australian designers sharing their thoughts on design in Australia.
There was quite a lot to take in but here are some key themes I heard throughout the day:
- Questioning and critiquing innovation in Australia: Reflecting and asking are we innovative. We explored the small things we can do, to the much bigger things, such as looking at what kind of enabling conditions would make Australia more innovative
- The transformation of design practice: Like the Australian Design for the Next Decade event many of us shared personal stories and observations of the changing nature and transformation of design practice
- Design in Australia: What is Australian design? Many countries have their own distinct style eg. there is a German design style which is functional, rationalist, engineered and there is a Japanese style which incorporates the ideas of zen, but is there an Australian design style? Is Australia still too young? Are we that ‘young child’ still growing up, lacking confidence and still looking to our parent countries (mostly Britain) for guidance?
- Australian clients: The barriers and tensions between designers and clients is an old story- the lack of understanding, the unwillingness to take risks but when taken there are huge rewards. If clients still don’t ‘get’ design then shouldn’t designers be doing more to bridge that gap?
From today’s conversations here’s what I think we could do next (these conversations should inspire us to do something next):
- Celebrate Australian design: Other countries celebrate their design achievements so why don’t we? And I’m not talking about just celebrating design among the design industry but going out to the public and international arenas. I feel there’s a big piece around public engagement in design here
- Create more design networks: Australian designers work too much in silos. If the experience of servicedesigning.org taught me anything it was not to underestimate the value of face to face interactions and informal gatherings of professional individuals
- Think less about the disciplines of design: Let’s do a little experiment and break free from defining ourselves by a specific design discipline and what kind of object we want to design. Instead, let’s think about what kinds of issues we can design for. Then use what we know of design to help tackle them
- Discover our own backyards: As mentioned in the points above one of the big themes was discussing how we can make Australia more innovative. From a design perspective let’s take inspiration from Dott 07 that created framework of thematically organising issues. If we apply this to our own context, this would mean discovering what kind of issues and themes we might address here in Australia. Some of these are going to be relevant at a global scale, but most would be specific to our local and national context. Let’s us our energies to create responses to country-specific issues, things like Australia’s prone-ness to natural disasters (drought, floods and fires) which no other country deals with such frequency. There are so many reoccurring problems out there. Can design offer an alternative approach to addressing them?
Finally, a little side note from the symposium. I had to show this because I think it’s quite neat. Hannah Cutts spoke of this witty packaging design by Adelaide design company Black Squid Design. Their brief was to help a client increase cauliflower sales and the design response was to change habitual purchasing through a cheeky packaging design. The packaging design names individual cauliflower, giving each a personality and also suggesting different ways to serve them. As a customer it would certainly make me curious about vegetables.
Bob, Shirl, Doris & Doug – Cauliflower packaging
Image from Black Squid Design